Homeland

Recently I reread Wee Free Men.

I love that book, but it's always made my heart ache. Because Tiffany has things I've never had and never will...an ancestry, and an ancient homeland. Tiffany is pure calkin girl, she has the hills in her bones. Her face and her name. Her eyes and her hair. Tir-far-thoinn. One place out of all the world that is hers, Land Under Wave.

Me, I'm a mongrel, a muddle of different lineages, so many that they cancel each other out and it's like having none-I have no ancestry, only ancestors. And my ancestors came here, to this bit of the world, only very recently...

But I reread this book, and something struck me a different way, and I thought.

This land is not like the chalk downlands, it is not ancient, but like the chalk downlands it was made by men. Men moved the earth around, planted trees and raised buildings. They brought plants from every corner of the globe to grow in their gardens, and they laid down paths among their houses. Just as men, so long ago, cut down the trees of the old forest and brought in sheep that ate the seedlings in the grass...

This land is. It is real. Not some abstract, historical ideal, but real earth and stone and concrete. It is a real place, and there is life here. Humans, animals, the million small tough plants mixed in with the short grass in lawns and parks. Down to the clay and the chalk below(for all South England is built on chalk), this land is alive.

Men brought many things to this land. Plants grow here that have grown here since time immemorial-oak, ash, thorn-but also there are plants that men brought over the water. And plants that men made, breeding for shape or colour or taste. They grow here just as well. I can be one more transplanted thing, here, one more naturalised citizen of the earth. There is a place for such as me.

There is beauty in this land. There is the big sky, which is more beautiful here than anywhere in the country. Painters come here, just for sky. There are the trees. I climbed a hill, here, and saw the patchwork land laid out before me; I found a still small pool, surrounded all by trees, and light shimmered down onto it at sunset. When I was at Longsands, there was a courtyard there, and in that courtyard a cherry tree. In spring it blossomed, and then it was a tree of wonder, a tree of pink-white foam, a tree fit for samurai to write poems to. But it did not care that no samurai saw, that no-one respected it or wrote haiku in its honour. It just was. And maybe some people saw. I know that I did. Maybe there were others...

There is cruelty in this land. But I can accept that. There is cruelty in every land. This is one problem that Tiffany has no advantage over me on. She knows that the people of her land can be just as vicious and unthinking as people anywhere. There was the old lady...What was done to her made Tiffany angry and ashamed and resolved that it should not happen again, not while she drew breath. But it didn't make her feel that she didn't belong right where she was.

I have lived in this land all my life. I know it. They say that the landscape you live in for the first seven years of your life leaves a mark on you. I do not know how true that is, but it is true for me, I think.

The ancient lands have their witches and wizards, and all know. Tiffany tells the hills what they are, and they tell her what she is. But is there anyone to tell this land what it is? Not just the parts of it that are old, but the new? The suburbs lying quiet in the hot sun, the man-made gardens, the playgrounds in the parks? The boats on the river with puttering motor engines? This land is real, as real as any land. When I was jealous of Tiffany it was because I felt less real than her, that my land was less real, because it was not so old and pure. But that's all wrong. Time isn't everything.

This land has no name that I know. There are names for the counties and towns, but there is no name for the land.

I will look for one. I will tell the land what it is.

Maybe if I listen, it will tell me what I am.